Performance by Bonaventure and Hannah Black Hannah Black is a conceptual visual artist and writer. Her work spans video, text and performance and draws on communist, feminist, and afropessimist theory, autobiographical fragments, and pop music Hannah Black’s video installation, Beginning, End, None, takes the cell, the building block of all living organisms, as its starting point. Questioning the classic analogy of the cell as “factory,” Black explores the ideological aura of this comparison, which implicitly naturalizes the factory and commodifies the cell. Using found, personal, and laboratory footage, Black explores the leakiness of metaphoric and real transmissions between concepts of biology and society. Swedish-Congolese musician Bonaventure (Soraya Lutangu) makes abrasive, experimental dance music that confronts institutional racism and oppression. She uses music as an identity research tool along with practical and speculative initiatives to connect her African and European roots and investigate human boundaries.
New York City, NY; NYC