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Free Events, Free Things to Do in New York City!  Read More
New York gives you numerous choices when you are in a mood to attend an art gallery exhibition or be a part of an exhibition opening. Some sources say that there are more than a thousand of art galleries in NYC and, of  course, you do not have time to attend them all. But the good thing is that art galleries are usually located in clusters and so if you go to one of them, there is, basically, a 100% chance that you will be able to see art works, be that paintings or photos or scupltures, in many other art galleries located just nearby, whatever neightborhood you happen to be in.

The very first neighborhood where artist lived and art galleries thrived in New York City was Grenwich Village, which boated active art scene as far back as 1850. That active art scene did last: Greenwich Village was the place where Gertrude Vanderbilt Whitney opened her Whitney Studio Club Gallery in 1914, which would become the Whitney Museum for American Art (now located in Chelsea).

With immigrants pouring into the city in larger numbers than ever before at the turn of the century, the wealthy families tried to outrun their spread uptown by moving to the Upper East Side. The art galleries followed the buyers and established themselves in the neighboorhood as well.

Midtown, Grenwich Village and the Upper East Side housed most of the New York art galleries for over 100 years. Those three neighborhoods continue to house many of Manhattan art galleries. Upper East Side art galleries are located mostly in the area between Park and Fifth Aves in the mid-70s. Midtown art galleries are clustered near Fifth Avenue. Many of them are on the 57th St. They usually represent big name artists.

Early in the 1960s artists started moving into the neglected commercial lofts of the cast-iron district south of Houston Street, known as SoHo. In the 1970s and ’80s SoHo was the City’s best-known art distric. But SoHo art galleries became the victims of the neighborhood's success which they themselves have created. Before the artists moved into SoHo, the neightborhood was an array of empty factories buildings and abandoned warehouses. Artists moved in as the premises had lots of light and space, and were dirt cheap. As the artists were right there, the art galleries sprang up. The neighboorhood attarcted crowds and so retailers decided to capitalize on the cool images that SoHo have attained. They flooded the area and it made the rents go skyhigh and made the area unaffordable to the artist community. This story repeats itself in many towns and cities all over the world, and so instead of dwelling on it, let us tell you which other neighborhoods have the galleries that you may want to atend. SoHo has become more of a shopping mall than a place to see intereating art work, although about 20 galleries are still located there. 

The first place that comes to mind when one talks about the artists' and galleries' flight from SoHo is, of course, Chelsea. That's where many of SoHo galleries had to run to when the skyrocketed rent forced them to leave SoHo in the 90s. Chelsea art galleries are located between 18th and 28th Streets going South/North and between 10th and 11th Avenues going East/West. If you start there you may end staying there, as Chelsea's list of galleries has about 200 names or so.

Another gallery district is the Lower East Side, which is located east of Bowery and between Houston and Grand Streets. The galleries here usually show up and coming artists. You can see there lots of local grown art. The neighborhood is filled with inviting bars, cafes and restaurants, and with small smart clothing shops. So you can combine gallery hoping with bar hoping and with shopping for something off the beaten track.
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19 Exhibition Openings at New York Art Galleries (NYC) Wed, 05/15/2024 - and on...

There are over a thousand art galleries in New York, most of which are located in six Manhattan neighborhoods: Chelsea, SoHo, Midtown, Upper East Side, Greenwich Village, and East Village. It is almost impossible to list all the exhibition openings that take place in NYC art galleries. Here is a good sampling to start with.

        

Opening Reception | 12 in 24: Group Exhibition


Featuring works by Jonathan Borofsky, Chico, Cosbe, Crash, Richard Hambleton, Knox Martin, Moody, and Stikman.
   New York City, NY; NYC
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Thu, May 16
6:00 pm

Free
Opening Receptions, May 16, 2024, 05/16/2024, 12 in 24: Group Exhibition

Opening Reception | AdeY: Uncensored


An exhibition of photographs by AdeY. The British-Swedish artist’s real name, age, and place of residence are unknown. AdeY left a career as a professional dancer, something evident in the photographs which combine photography, choreography, and performance.
   New York City, NY; NYC
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Thu, May 16
6:00 pm

Free
Opening Receptions, May 16, 2024, 05/16/2024, AdeY: Uncensored

Opening Reception | Alma Allen: New Sculpture


The exhibition brings together a combination of new sculpture in bronze, cast in the artist’s foundry, and works carved from stone sourced from areas surrounding his studio in Tepotzlán, Mexico. Realized with hybrid processes both ancient and cutting-edge, Allen’s sculptures are imbued with a timeless quality while conveying a dynamic range—from works defined by their refined formal simplicity to those brimming with complex gesture. Allen approaches sculpture by devising a series of formal parameters to foster pre-conscious and intuitive decision making via the hand, a process that complements his research into ideas relating to the structure of the physical world. This new body of work evolves various compositional and material directions explored in Allen’s recent institutional exhibition Nunca Solo at Museo Anahuacalli in Mexico City, demonstrating the artist’s ongoing experimentation into the ability of matter to embody contemplations on free will, consciousness, and the nature of time.
   New York City, NY; NYC
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Thu, May 16
6:00 pm

Free
Opening Receptions, May 16, 2024, 05/16/2024, Alma Allen: New Sculpture

Opening Reception | Chrysalis: Multimedia Group Exhibition


An exhibition of multimedia work by eight students selected by a jury of their peers. The artists visually articulate transitions between one state of being and another through drawing, illustration, painting and sculpture. Exploring the exciting potential or devastating implications of change, the works on view consider these moments as opportunities for inflection. Topics covered include cultural expectations of individuals, political propaganda, psychology and the body as evidence of metamorphosis. These thresholds are a time of discovery, but such developments always hold a cost to those involved. This group exhibition surveys contemporary humanistic issues while asserting that outcomes should not overshadow the process of becoming. 
   New York City, NY; NYC
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Thu, May 16
6:00 pm

Free
Opening Receptions, May 16, 2024, 05/16/2024, Chrysalis: Multimedia Group Exhibition

Opening Reception | Farkhondeh Shahroudi: of weeping trees


This show showcases new and older works ranging in media including drawing, video, sculpture, textiles, artist books, and more across nearly 30 years of Shahroudi's practice. Evoking and reframing colonial materials and motifs such as rubber and the so-called "Oriental" rug respectively, the title of this exhibition calls forth reoccurring themes present in the artist’s oeuvre such as identity, language, family, and psychology. In her practice, Shahroudi inhabits the space between, around, and beyond language. Taking up the tradition of automatic writing, she inhabits inclusion through her process of painting her mother tongue Farsi with her dominant right hand, and distantiation of German, deliberately slowed down by writing with her left hand. Understanding all her work as three-dimensionally materialized poems, Shahroudi abstains from explicitly recounting the history of her migration from Iran to Germany in 1990, where she has lived ever since. Rather, memory, in her work, operates as a more subtle thread weaving between the political and a childlike coyness. Playfully integrating language constructions containing simultaneous elements of absurdist humor and moments of grief, Shahroudi invites us to come up with our own associations; akin to providing us with a tool – much like a tuning fork – that enables us to listen to the echoes of a multiple present.  
   New York City, NY; NYC
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Thu, May 16
6:00 pm

Free
Opening Receptions, May 16, 2024, 05/16/2024, Farkhondeh Shahroudi: of weeping trees

Opening Reception | Jamie Nares: Nares Traces


The exhibition will examine over 120 works on paper in a variety of media—namely oil, ink, and enamel—made after refocusing her artistic attention from film to painting in the early 1980s. Coolly perceptive, Nares’ works on paper share the same conceptual focus on movement, rhythm, and measurements of time that has driven the artist's various bodies of work over the last fifty years. This exhibition points to paper as an essential instrument in Nares’ ongoing exploration of these themes.
   New York City, NY; NYC
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Thu, May 16
6:00 pm

Free
Opening Receptions, May 16, 2024, 05/16/2024, Jamie Nares: Nares Traces

Opening Reception | Living in th Moment of Abstract Art: Group Show


With: Amaranth Ehrenhalt, Carol Barsha, Ernest Briggs, Seymour Boardman, James Brooks, Peter Bonner, Charles Clough, Buffie Johnson, Michael Loew, Louise Nevelson, Richards Ruben, Jon Schueler, and Thomas Sills The artists in this exhibit had respect for earlier forms of art. Their development grew from this background and art patrons who exposed them to the importance of other historical forms of expression. Thus, we have abstract art.
   New York City, NY; NYC
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Thu, May 16
6:00 pm

Free
Opening Receptions, May 16, 2024, 05/16/2024, Living in th Moment of Abstract Art: Group Show

Opening Reception | Shahzia Sikander: Liquid Light


An exhibition of twelve new prints and handmade paper works by Shahzia Sikander. Encompassing drawing, painting, sculpture, and animation in her expansive art practice, Shahzia Sikander engages with many vantage points. In the past year, she has channeled her energy into print and papermaking, cross-pollinating collagraphs, pressure prints, etchings, and pulp painting into a bold and nuanced body of work that exalts the fluidity of material, transition, and process. Sikander is known for her decades-long engagement championing non-western art history to re-animate the relevance of pre-modern manuscripts and illuminated books. Pioneering Neo-Miniaturist painting, her practice turns a critical and creative lens toward Orientalist readings of Indo-Persian miniatures by rejecting strictures of iconography, with a particular focus on gender and power roles. An alertness to binaries informs her work, and she intentionally subverts the assumptions, hierarchies, and center-margin dynamics where issues of hegemony can be unraveled across a conceptual, emotional, and visual nexus. 
   New York City, NY; NYC
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Thu, May 16
6:00 pm

Free
Opening Receptions, May 16, 2024, 05/16/2024, Shahzia Sikander: Liquid Light

Opening Reception | The Madness of Crowds: Group Exhibition


With: Carl Theodor Dreyer Ken Gonzales-Day David Howe Sigmar Polke Zoe Pettijohn Schade Rosemarie Trockel Weegee With the near utopian promises of the early Internet gradually betrayed by the mind warping opportunism of the tech sector’s “attention economy”, a creeping withdrawal from the broader social realm seems to have exposed and exacerbated profound rifts in America’s political and social order.  Social media’s architecture of isolated digital platforms, sold under the pretense of “free” competition for the attention of millions, is in fact tightly controlled through opaque algorithms, a staged managed, open sourced free for all that can veer from obsequious approval to venomous assaults. Having long merged with and infected our political and social worlds, a new tribalism prompts an endless search for targets, for what is “not I” or “not us”, where nuance, complexity and contradiction are purged in favor of pre-modern codes of justice meant to satisfy a totalizing world view.   
   New York City, NY; NYC
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Thu, May 16
6:00 pm

Free
Opening Receptions, May 16, 2024, 05/16/2024, The Madness of Crowds: Group Exhibition

Opening Reception | Tobi Kahn: Memory & Inheritance


An exhibition opening featuring an informal talk by the artist about his first solo museum exhibition in New York City in more than ten years. Memory & Inheritance contemplates ritual, tradition, and memory, both personal and collective. Tobi Kahn's luminous paintings and his singular Judaica, more than four dozen in total, will be shown in the Museum's historic synagogue home, inviting reflection and meditation.
   New York City, NY; NYC
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Thu, May 16
6:00 pm

Free
Opening Receptions, May 16, 2024, 05/16/2024, Tobi Kahn: Memory & Inheritance

Opening Reception | The Instant Art of Morris Katz


“Painting,” according to Morris Katz, “is like shmearing a bagel.” A genuine performance artist, his standard routine would be to line up two dozen canvases and paint them all within the span of an hour – using only a palette knife and toilet paper – all the while cracking jokes and explaining his craft to rapt audiences. Called “a self-contained vaudeville act” by New York Magazine, Katz holds a unique place in the annals of the art world as a painter who not only worked with incredible speed – whipping up paintings within just minutes – but who did so while engaging his audiences with Borscht Belt style shtick and then auctioning the paintings off to all comers. Celebrate the launch of the exhibition with a reception.
   New York City, NY; NYC
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Thu, May 16
7:00 pm

Free
Opening Receptions, May 16, 2024, 05/16/2024, The Instant Art of Morris Katz

Opening Reception | Dylan Vandenhoeck: Right Under the Nose


One of the important features of the Western European modern world that begins to emerge in the decades around the year 1500 is a reorganization of the human senses. Taking place over several hundred years is a relentless prioritization of vision and its isolation from the other senses. What some theorists have called "ocularcentrism" is this privileging of the eye and its alignment with rationalized forms of knowledge that distance a human observer from the physical world and estrange them from the multi-sensory immediacy of perception. Since the Renaissance, the arts have been shaped by practices and techniques that have posed the fiction that our vision is a faithful mirroring of an objective external reality. This model has been a crucial underpinning for the rationalized forms of knowledge and utilitarian, extractive priorities of Western modernity. But there have long been artists whose counter-practices have challenged this dominant framework, including, for instance, Hans Holbein and his Ambassadors, William Blake, J M W Turner, Roberto Matta and Stan Brakhage. 
   New York City, NY; NYC
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Fri, May 17
6:00 pm

Free
Opening Receptions, May 17, 2024, 05/17/2024, Dylan Vandenhoeck: Right Under the Nose

Opening Reception | Artist Talk: Soil Horizon


On the occasion of Soil Horizon, Teresita Fernández joins award-winning writer Jacqueline Woodson for an intimate conversation about the exhibition and vital themes that appear throughout her practice.
   New York City, NY; NYC
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Wed, May 22
5:30 pm

Free
Opening Receptions, May 22, 2024, 05/22/2024, Artist Talk: Soil Horizon

Opening Reception | Made in Cologne: 15 Artist Working in Ceramic


Fifteen artists working at the ceramics atelier of Niels Dietrich. David Adamo Richard Deacon Cameron Jamie Alicja Kwade Heinz Mack Mike Meiré Mai-Thu Perret Otto Piene Heinz-Günter Prager Norbert Prangenberg Thomas Schütte Rosemarie Trockel Paloma Varga Weisz Rose Wylie Anna Zimmermann
   New York City, NY; NYC
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Wed, May 22
6:00 pm

Free
Opening Receptions, May 22, 2024, 05/22/2024, Made in Cologne: 15 Artist Working in Ceramic

Opening Reception | Welcome Home: Group Show


This exhibition mobilizes art as a radically transformative tool for healing trauma and rehumanizing the 21st century's urban "outcast". Combining photography, poetry, painting, storytelling and performance, directly impacted artists interrogate the intersection of punitive oppression and emancipatory struggles for justice. Welcome Home claims the gallery as a pedestal to display and debate the rampant hostility and acute need for hospitality in the urban environments we collectively construct. What kind of "welcome home" does one encounter when coming home homeless? And which pathways towards a more just urban world are spearheaded by avant-garde grassroots actions? Featuring work by: Alex Anderson (and the Reentry Theater of Harlem) - Gregory Frederick - Bruce Blake - Felix Guzman - Iman LeCaire - André P. - Joshua Lopez
   New York City, NY; NYC
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Fri, May 31
6:00 pm

Free
Opening Receptions, May 31, 2024, 05/31/2024, Welcome Home: Group Show

Opening Reception | jaamil olawale kosoko: The (chrysalis) Archives


Multidisciplinary artist jaamil olawale kosoko presents an exhibition incorporating video installation, photographic imagery, sculpture, and performance. The exhibition will incorporate past works including the film Chameleon (A Visual Album), three-channel video and installation Syllabus for Black Love, as well as photo and documentation of past performances. The multi-media installation will include a performance activation titled (chrysalis: activation 1)—a hybrid media performance work that integrates sculpture, moving image, original poetry, and emergent choreographic strategies prompted by the audience. The work examines concepts of metamorphosis, intergenerational knowledge, blood memory, negative space, and the environmental grief that lingers in the aftermath of the living gesture.
   New York City, NY; NYC
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Sun, Jun 9
6:00 pm

Free
Opening Receptions, June 09, 2024, 06/09/2024, jaamil olawale kosoko: The (chrysalis) Archives

Open Studios | Open Studios


Open Studios offers a glimpse into the creative process and artistic development of artists-in-residence. Members of the public are invited into the studios of 11 multidisciplinary artists to learn about their practices and experience a wide range of artistic works in progress, from theater based work to sculpture, painting, film, photography, and more. Held at the culmination of this nine-months program, guests can engage in conversation with artists in their studios and experience live performances (readings, screenings, workshops and more). Daily event schedule to come!
   New York City, NY; NYC
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Sat, Jun 15
12:00 pm

Free
Open Studioss, June 15, 2024, 06/15/2024, Open Studios

Open Studios | Open Studios


Open Studios offers a glimpse into the creative process and artistic development of artists-in-residence. Members of the public are invited into the studios of 11 multidisciplinary artists to learn about their practices and experience a wide range of artistic works in progress, from theater based work to sculpture, painting, film, photography, and more. Held at the culmination of this nine-months program, guests can engage in conversation with artists in their studios and experience live performances (readings, screenings, workshops and more). Daily event schedule to come!
   New York City, NY; NYC
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Sun, Jun 16
12:00 pm

Free
Open Studioss, June 16, 2024, 06/16/2024, Open Studios

Opening Reception | Kevin Quilles Bonilla: A small patch of sand, yet it holds so much


The show explores themes of colonialism and diaspora. The exhibition will feature photographic installations that invite audiences to consider the role of colonialism in perpetuating states of debility and disablement through cultural extraction, exploitation, and geopolitical instability. As a Puerto Rican artist living between the island and New York, Quiles Bonilla’s works focus specifically on the Puerto Rican diaspora, the long history of colonization, which dates back over 500 years, and the island’s current realities as a U.S. colony. Archival family photographs and materials such as sand, blue FEMA tarps, and beach towels printed with images of life after hurricane disasters, are incorporated into the works and juxtaposed with imagery and rhetoric associated with tourism.  
   New York City, NY; NYC
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Thu, Jun 20
6:00 pm

Free
Opening Receptions, June 20, 2024, 06/20/2024, Kevin Quilles Bonilla: A small patch of sand, yet it holds so much
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