Since the early 2000s, Elidor Mehilli has assembled a vast archive on the dramatic transformation of his hometown, Tirana, Albania. This body of work encompasses photographic series, thousands of documents, ephemera, and found objects. While research often takes him inside formal party, state, and security police archives, this broader visual practice reimagines the idea of the archive itself. Mëhilli’s work captures Tirana’s bewildering transition from communist-era central planning to neoliberalism. The collapse of the party-state in the early 1990s triggered a mass migration to the periphery of the city, which was ill-equipped to handle it. Ordinary residents transformed into amateur architects, converting ground floors into shops and adding illegal floors to prefabricated blocks. Various governments have tried to dominate the city, but Tirana tends to defy them, pursuing an unruled life. As tourism surges today, star architects flock to the capital to design gleaming high-rises. The construction craze and the steep rise in real estate prices puts immense pressure on historical landmarks located on valuable land. In this heady rush to attract money and attention—to reinvent a city and a country so that it becomes legible to the West—what to do with versions of the past deemed unmarketable? In a process that began with earlier shows at galleries at Cornell University (2005) and Princeton University (2007), Mëhilli explores this ongoing tug-of-war. He tracks the transformation of familiar places of his teenage years, like the raw graffitied façade of a housing block that served as a backdrop to a playground and a mysterious kiosk stuffed with old books that has somehow survived the decades of turmoil. He assembles textual and visual biographies of erased architecture, documents the denials to his requests for access to classified archival files, collects “obsolete history” discarded along city streets, and writes editorials for local papers, putting together a counter-archive to a country struggling with its past and desperate to plug itself into global circuits of capital.
New York City, NY; NYC