In 1956, the First Congress of Black Writers and Artists took place in Paris. It inaugurated the "postcolonial moment" in Europe and Africa, quickly followed by a lesser-known second one, in 1959 in Rome. To celebrate this 70th anniversary, attendees ask: what would a congress be today? Namely, how did the 1950's stakes evolved? which territorities, minorities and discourses have been left apart? what can these two Congresses teach us today and what can we add to them? Speakers/Artists:
Nelson Maldonado-Torres is a Professor of Philosophy at the University of Connecticut and a leading voice in decolonial theory.
Nadia Yala Kisukidi is an Associate Professor at the NYU Department of French Literature, Thought, and Culture.
Grégory Pierrot is an Associate Professor of English at the University of Connecticut, Stamford, specializing in the cultural networks of the Black Atlantic.
Mame-Fatou Niang is a Professor of French & Francophone Studies and founder of the Center for Black European Studies and the Atlantic at Carnegie Mellon University. A scholar, filmmaker, and photographer, she co-directed the documentary Mariannes Noires and authored Identités françaises and Universalisme.
Junior Mintt is a Brooklyn-based drag artist, comedian, and Black trans activist, host of The Junior Mintt Show, an independent late-night program centered on Blackness, queerness, and radical positivity.
Brent Hayes Edwards is a Peng Family Professor of English and Comparative Literature at Columbia University, affiliated with its Center for Jazz Studies. He is the author of The Practice of Diaspora, winner of the John Hope Franklin Prize, and Epistrophies: Jazz and the Literary Imagination.
Mistura Allison is an independent researcher, curator, and art historian based between London and Milan, currently Curator and Project Coordinator at Villa Romana in Florence. She is the founder of ashikọ, a research platform centered on contemporary diasporic visual and oral production from Africa and its diaspora.
Seumboy Vrainom is a French artist, writer, and self-described "digital shaman apprentice" whose work critiques colonial history through appropriated internet imagery and DIY video. An advocate for decolonial ecology, he is a contributor to the media outlet Histoires Crépues.
Manhattan, New York, NY