Agnes de Mille passed away on October 3, 1993, leaving behind a legacy of choreographic works that revolutionized the course of dance and theatre history, pushed the boundaries for female choreographers and directors, and put front and center the female narrative and its importance in the American landscape. Her works spanned over 65 years from the late 1920s to her last work in 1992. "Agnes de Mille and The Female Narrative," will focus on de Mille's multifaceted female characters, starting with her concert solos in the late 1920s through to a selection of her ballets and musical theatre works. Moderated by Linda Murray, the program will feature a panel of special guests including dance historians, stagers, and notable interpreters of some of de Mille's most searing female roles to explore the meaning and intent behind the choreographer's vision and what her work can express within the context of today. Using archival film extracts, live performance excerpts, and de Mille's writing, the panel will examine many of de Mille's most memorable female characters, The Degas dancer solos from Ballet Class (1929) and Debut at the Opera solo (1928), the Women in The Civil War Ballet from Bloomer Girl, The Cowgirl from Rodeo (1942), The Accused (Lizzie Borden) from Fall River Legend (1948), Louise from Carousel (1950), and "The Girl" from The Informer (1988).
New York City, NY; NYC