Marilyn Banner CONNECTIONS / Lost and Found Banner's modestly scaled, delicately drawn images and small-scale objects evoke a range of possible and imagined connections. Diaristic drawings and objects hint at presence and connections, aloneness and relationships, things and people, experiences lost and found. Banner’s materials are modest: for the drawings, raw canvas, drawing pens and markers, inks, wax and conte crayons; for the objects, wood chips, bones, and teeth covered with encaustic. Their diminutive size requires close inspection. Mysterious and suggestive, Marilyn Banner’s work evokes closeness, a solitary stance, a distant memory, or a threat. Intimate in nature, her pieces invite the viewer into a quiet world. Elizabeth Myers Castonguay Tapestry of Nature III / Endangered Castonguay has spent a lifetime observing, researching, and making artwork about her passions: human diversity and the preservation of Mother Nature. Something as small as a fruit fly, a human head, or a magnificent winter landscape seen from the train as she travels between her studios in Pittsburgh and NYC can inspire a large painting. She finds joy in learning that the tiny eyelashes on some birds are modified feathers, the fruit fly has many body parts like our own, the bird’s nest in her yard holds fast in winds though porch furniture is in flight, and the shape of the human nose provides climate control and has adapted over generations. Tania Kravath CONNECTION and LOSS The ceramic sculptures by Tania Kravath, slab built forms, are moving, full of heart and spirit and speak for the voices of women and children throughout history. Kravath’s work is tied to political and social narratives. The marks and patterns of her surfaces suggest the arbitrary events that affect and mark each being. The surface treatments evoke a feeling of ancient artifacts unearthed yet they resonate with life and are alive with feeling.
New York City, NY; NYC