Romare Bearden constantly made the color he constantly looked for. His collages mirrored and enacted what critic Laura Harris calls the aesthetics of black social life, moving against the brutalities of removal and enclosure that structure global black experience and, therefore, the modern world. A Black Odyssey refers, though, not only to Afro-diasporic travel and travail but also to an anoriginary movement of in the art of the West that blackness has come to signifythe polyrhythmic, oral-formulaic, insurgent innovation that was also Homers home away from home.
In this panel, a multi-disciplinary group of artists and scholars will sit in with Bearden, gathering with and around his Odyssean practice, his restless, wandering devotion to the scrap, the fragment, the musical moment, and his abiding in and with the imagination, whose enduring philosophical racialization renders it both disposable and appropriable. The intensity of Beardens commitment to the aesthetic contact and content of black social life in its broadest dimensions will serve as an impetus for a wide-ranging discussion of the protocols and implications of improvisation in music, literature, theology, cinema, dance and critical theory. Along with Bearden and, most importantly, the audience, the panel hopes to form a new experimental band.
New York City, NY; NYC