This discussion will interrogate the notion of wandering through some of the most beautiful and intriguing works featuring a wanderer, flâneur, or stroller. Participants will look at works from the 17th century until today, from early wanderers on their Grand Tour, to arrive at those who aren’t initially seen as wanderers or have been prevented from wandering in the past: minorities, immigrants, etc. Close readings of excerpts and viewing of clips and images will help reflect on wandering and the various tropes and themes (illusion, joy, and the surreal). In the works of Rimbaud, Zadie Smith, Sophie Calle, Christophe Honoré, among others, participants will study the techniques used to understand how wandering showcases self-discovery, artistic practice, social commentary, and/or existential quest. In this second part, the group will focus on visual arts. How are wandering and flâneurs represented? What do they say about the world today? In Sophie Calle's Suite Vénitienne, wandering is akin to an artistic practice. It serves as a contrast with the confinement of Sembene's main character in Black Girl. It helps young people from the African diaspora to talk in Cecile Emeke's artistic multiple parts documentary, Strolling and Flâner. Finally, wandering better expresses the emotional landscape of Christophe Honoré's characters in Love Songs. Film clips will be watched during class. Works being discussed: Sophie Calle, Suite Venitienne (1983) Ousmane Sembène, Black Girl (1966) Christophe Honoré, Love Songs (2008) Cecile Emeke, Strolling (2014-2016) Participants should plan to attend all three sessions (July 9, 16, and 23)
New York City, NY; NYC