This discussion will interrogate the notion of wandering through some of the most beautiful and intriguing works featuring a wanderer, flâneur, or stroller. Participants will look at works from the 17th century until today, from early wanderers on their Grand Tour, to arrive at those who aren’t initially seen as wanderers or have been prevented from wandering in the past: minorities, immigrants, etc. Close readings of excerpts and viewing of clips and images will help reflect on wandering and the various tropes and themes (illusion, joy, and the surreal). In the works of Rimbaud, Zadie Smith, Sophie Calle, Christophe Honoré, among others, participants will study the techniques used to understand how wandering showcases self-discovery, artistic practice, social commentary, and/or existential quest. In this last class, participants will meander in the mind of writers of color who make room for enjoyment as well as pain in their work. The journey starts with a flâneuse, Zadie Smith, as she wanders around Italian gardens and wonders about Joy and pleasures in the last section of her collection of essays, Feel Free. In The Book of Delights, Ross Gay walks us through small daily wonders. Finally, Chen Chen invites us through a dance between laughter and gravity in When I Grow Up I Want To Be a List of Further Possibilities. Enjoyment pervades these works through wandering, wondering, walking, and gazing. Works being discussed: Zadie Smith, Feel Free (2018) Ross Gay, The Book of Delight (2020) Chen Chen, When I Grow Up I Want To Be A List of Further Possibilities (2017) Participants should plan to attend all three sessions (July 9, 16, and 23)
New York City, NY; NYC