Conversation with Derica Shields and Hannah Black. Hannah Black is a conceptual visual artist and writer. Her work spans video, text and performance and draws on communist, feminist, and afropessimist theory, autobiographical fragments, and pop music Hannah Black’s video installation, Beginning, End, None, takes the cell, the building block of all living organisms, as its starting point. Questioning the classic analogy of the cell as “factory,” Black explores the ideological aura of this comparison, which implicitly naturalizes the factory and commodifies the cell. Using found, personal, and laboratory footage, Black explores the leakiness of metaphoric and real transmissions between concepts of biology and society. Derica Shields is a writer, researcher and programmer from London. Her work has appeared in the New Inquiry, Rookie, Girls Like Us, Live Art Almanac, Flash Art and more. She is the co-founder of The Future Weird, a screening and discussion series centered on experimental, world-unravelling films by black artists and directors.
New York City, NY; NYC