Margaret Rhee’s Love, Robot (The Operating System, 2017) is a set of speculative accounts of robot-human love, drawing from a variety of writing forms, such as algorithms, chat scripts, and sonnets. Rhee is currently a Visiting Scholar at the NYU A/P/A Institute, as well as a Visiting Assistant Professor at SUNY Buffalo in the Department of Media Study, and produces media art in addition to writing. Her poem, “Theft of Color” was published in The Margins. Ching-In Chen’s recombinant (Kelsey Street Press, 2017) examines erasure, female and genderqueer lineages, and reconstruction of history. Born of Chinese immigrants, Chen is a Kundiman, Lambda, Callaloo and Watering Hole Fellow and a member of the Macondo and Voices of Our Nations Arts Foundations writing communities. In Do Metaphors Dream of Literal Sleep? A Science-Fictional Representation of Theory (Harvard University Press, 2017) Seo-Young Chu blurs the line between the imaginary of science fiction and reality. Chu draws from poems, novels, music, films, visual pieces, and more in an exploration of the globalized world, cyberspace, war trauma, the Korean concept of han, and the rights of robots. Mimi Mondal's Luminescent Threads: Connections to Octavia E. Butler (Twelfth Planet Press, 2017), co-edited with Alexandra Pierce, collects first-person accounts of marginalized authors in the genre of science fiction and fantasy.
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