Derek Bermel, clarinet. Mikaela Bennett, soprano. Aaron Wunsch, piano. Jack Quartet. Program Bernstein (1918-1990) Clarinet Sonata (1942) Bermel (b.1967) A Short History of the Universe (2013) Bermel (b.1967) Intonations (2016) Bermel (b.1967) Coming Together (1999) Bermel (b.1967) Excerpts from The House on Mango Street (Premiere) About the Performers Praised as “superheroes of the new music world” (Boston Globe) Jack Quartet is "the go-to quartet for contemporary music, tying impeccable musicianship to intellectual ferocity and a take-no-prisoners sense of commitment." (Washington Post). The band has performed at Carnegie Hall, Lincoln Center, Wigmore Hall (UK), Kölner Philharmonie (Germany) and many more venues. The members are Christopher Otto, violin; Austin Wullima, violin; John Pickford Richards, viola; Jay Campbell, cello. Soprano Mikaela Bennett made her professional stage debut as Penelope in the Encores! concert staging of the City Center's musical The Golden Apple. Pianist Aaron Wunsch has performed in Avery Fisher and Alice Tully Halls at Lincoln Center, Weill Hall at Carnegie Hall, Royal Albert Hall in London, at the Verbier Festival in Switzerland and many more. About the Program Leonard Bernstein's Sonata for Clarinet and Piano, written during 1941-42 and published in 1942, was Bernstein's first published piece. It is dedicated to clarinetist David Oppenheim, whom Bernstein met while studying at Tanglewood during the summers of 1940 and 1941. Derek Bermel is a clarinetist and composer of “staggering eclecticism” (Gramophone Magazine). His works incorporate a wondrous array of the world’s sounds from West African rhythms, to Eastern European folk music, to Celtic strains, to jazz and the blues. According to Washington Post, “Derek Bermel’s A Short History of the Universe proved to be a surprisingly playful work. All that freewheeling postmodernism made for an engaging, extremely enjoyable listen — an intriguing new work from a very 21st-century composer.” Inspired by a rereading of Ralph Ellison’s novel, The Invisible Man (1952), Intonations evokes the atmosphere of the jazz, blues and film scoring touches of the 1940s and ’50s, all refracted through Bermel’s own 21st-century sensibility.
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