Twentieth-century avant-garde scholar Barbara Moore discusses early performance art of the 1960s with Printed Matter’s Max Schumann. Often political in nature, movements such as Fluxus, Happenings, and Intermedia blurred the line between art and life and developed into what came to be known as performance art. Founded in 1963, the legendary Something Else Press was known for publishing texts and artwork by Fluxus artists such as Dick Ray Johnson, Alison Knowles, and Allan Kaprow. Moore, who was Something Else’s first editor, joins Schumann to talk about the lasting importance of these movements, and the groundwork they laid for the conceptual and performance art of the decades that followed. Moore is the director of the archive of her husband, the late photographer Peter Moore, which includes hundreds of thousands of images chronicling the development of Fluxus, Happenings, Judson Dance Theater, Multimedia, and Intermedia. Schumann is the executive director of Printed Matter, which is dedicated to the dissemination, understanding, and appreciation of artists' books.
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