Grammy-nominated choir of Trinity Wall Street; NOVUS NY, orchestra; Julian Wachner, conductor; Sarah Brailey, soprano; Kirsten Sollek, contralto. Program Boulez (1925-2016) Le Marteau sans maître (1954) Felsenfeld (b.1970) Astrophysical Mass (2015) About the Performers Grammy-nominated interpreters of both early and new music, The Choir of Trinity Wall Street has changed the realm of 21st-century vocal music, breaking new ground with an artistry described as “blazing with vigour…a choir from heaven” (The Times). The ensemle has been described as “thrilling” (New Yorker), “musically top-notch” (Wall Street Journal), and “simply superb” (New York Times). NOVUS NY is Trinity Church Wall Street’s contemporary music orchestra, under the leadership of Trinity’s Director of Music, Julian Wachner. Hailed by the New Yorker as “expert and versatile musicians,” its members perform new music from all corners of the repertoire, meeting “every challenge with an impressive combination of discipline and imagination” (New York Classical Review). Music director Julian Wachner has been variously described as “jazzy, energetic, and ingenious,” (Boston Globe), having “splendor, dignity, outstanding tone combinations, sophisticated chromatic exploration…a rich backdrop, wavering between a glimmer and a tingle...,” (La Scena Musicale) being “a compendium of surprises,” (Washington Post) and as “bold and atmospheric,” while having “an imaginative flair for allusive text setting,” and noted for “the silken complexities of his harmonies” (New York Times). He has made guest appearances with such major organizations as the San Francisco, New York City, and Glimmerglass Opera, the New York and Hong Kong Philharmonic and many more. Hailed by The New York Times for her “radiant, liquid tone,” “exquisitely phrased,” and “sweetly dazzling” singing, soprano Sarah Brailey has performed at Carnegie Hall, with the Saint Paul Chamber Orchestra, and more. Kirsten Sollek has been called “…an appealingly rich alto” and “…true contralto” by The New York Times, and a singer with “elemental tone quality” by The Philadelphia Inquirer. About the Program First performed in 1955, Le Marteau sans maître by Boulez sets the surrealist poetry of René Char for contralto and six instrumentalists. Daniel Felsenfeld's Astrophysical Mass received its world premiere performance by Trinity’s Choir and resident ensemble NOVUS NY, under Wachner’s baton in 2015.
New York City, NY; NYC