Genny Lim’s poem “Wonder Woman,” first published in 1981, follows the reflections of a narrator who observes the everyday lives of Asian women—across generations, countries, and socioeconomic backgrounds—wondering if their experiences reflect her own. The poem centers Asian women as its protagonists and ponders what commonalities exist between these women. Inspired by Lim’s poem, Wonder Women, curated by Kathy Huang, presents thirty Asian American and diasporic women and non-binary artists responding to themes of wonder, self, and identity through figuration. While some artists explore wonder as it relates to mythology and legend, others depict the heroines in their lives, offering works that highlight family, community, and history. Several of the works in Wonder Women address colonial and patriarchal structures in the West.
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