An hour of music directed by Reggie Workman. In this ensemble, significant Coltrane compositions are chosen as vehicles towards understanding why and how the music of John Coltrane, an icon of Jazz whose breath of creation spans modern music from traditional to futuristic and beyond, pioneered concepts of harmonization. His innovative system was predicated on novel uses of the minor third fourth progression, which attributed to the expanded use of whole tone scales and the twelve-tone system, giving more flexibility to the improviser. Coltrane's logical resolutions of extended chromatic passages, articulating densely notated compositions and tasteful note placement in slower compositions have become defining factors in Jazz and improv. (Reginald) "Reggie" Workman (born in 1937) is recognized as one of the most technically gifted American avant-garde jazz and hard bop double bassists in history. He is an educator, composer, and jazz advocate whose style ranges from Bop, Post Bop, and beyond. Workman, a "Sound Scientist" is a 2020 recipient for the National Endowment for the Arts Jazz Masters Fellowship Award, the nation's highest honor in jazz. Although best known for his work with John Coltrane, his collaborative projects with other artists include Art Blakey's Jazz Messngers, Yusef Lateef, Eric Dolphy, Lee Morgan, Booker Little, Elvin Jones, Alice Coltrane, Freddy Hubbard, Wayne Shorter, Terumasa Hino, Mal Waldron, Abby Lincoln, Max Roach, David Murray, Oliver Lake, Cecil Taylor, Black Swan String Quartet, Ernie Watts, Sonny Simmons, and many others.
New York City, NY; NYC