Hollis Hildebrand-Mills Beneath In 2019, Hollis Hildebrand-Mills started three paintings. Jerry Saltz (in an Instagram Direct Message to her) stated that all-over abstraction is good, but it’s “better” to have a central figure or object. So she chose to isolate the central figure from the confusion of the abstraction by using little “stars” or round wheels with spokes found in ice molds. She encircled the central object with the little stars. When COVID 19 hit the U.S. in 2020, and people were dying by the millions, these spoke-y, spooky little circles looked like spores (germs) and the skulls represented to the viewer the death of the population. It seemed at the time that what Hildebrand-Mills didn’t actually know in 2019, foreshadowed what was to come. Evolving out of the theme of this series came school shootings, random deaths, gun control anger from both sides, virtual learning, abortion rights and transgender discussions in schools. Yu Rong Seen, Unseen For the artist, paintings are memories. She is interested in things that bear the weight of care. She wishes to paint freely. Painting is a way to show the imprint that she has left through the journey of her life. Through painting, sounds in me are tranquilized and I can reconcile with my memories. Learning about the art of every part of the world, studying philosophies, poems, and artistic techniques is Yu Rong's passion. Through understanding the different processes of art making such as encaustic painting, egg tempera painting, oil painting, Chinese brush painting, calligraphy, metal-point drawing, enameling, etc., she is able to choose mediums and techniques that she considers suitable for a particular theme in her work.
New York City, NY; NYC