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November 25, 2024. Free shows, free concerts, free movies, free tours, free readings, worshops, lectures, etc. are New York's best kept secret! Learn all about it and do not miss the unique opportunities that only New York provides: NYC never ceases to amaze you with quantity and quality of its free culture and free entertainment whether it's day or night, weekday or weekend, summer or winter, spring or fall, January or June, May or September. If you are looking for inexpensive things to do and where to go in Manhattan today, tonight, tomorrow, or any other time, or any other day of any week - you came to the right place: just click on any day on the calendar dispayed on the every page of our site and you will see how many events you can attend in Manhattan free of charge on that very day.
New York's cultural scene is at its busiest in October and March (and the same goes for free events, free things to do), but other months of the year still offer incredible amount of high quality, off the beaten path, unique free events, free things to do which will take your breath away! So if you looking for something to do in April or November, December or February, you will find tons of free things to do, free events to go to. (In June, July and August lots of those free events take place outdoors, of course).
So start using these unique New York City opportunities today, November 25, 2024!
Free things to do, free events that take place in New York City every day of the year are truly amazing. So if you're looking for something interesting to do today (November 25, 2024) or on any other day of the year don't miss those free-of-charge opportunities that only New York provides! You can find lots of high quality, off the beaten path, unique free events, free things to do which will take your breath away!
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From the artist:
"The use of combined board panels to create paintings began from the practical need to find a painting support that is stable, archival, relatively inexpensive and one that I could source here in Trinidad. It was a slow process but eventually I began considering these dividing edges of the panels as a way to rethink the version of space I was making in the picture.
By treating each panel as a separate entity, while simultaneously building a larger scene, I started to break up the expected sequence by which I constructed the image. I was constantly confronted with these breaks on the surface - sometimes I ignored them, running color over the seams. In other moments I made abrupt stops at these boundaries.
I used both fresh new panels or discarded panels from failed compositions lying around in the studio. And so it goes, in a kind of back and forth, I was at once disrupting and mending the image. I covered and obscured the underbelly of the painting by introducing a figure, elements of a landscape or architecture. Suddenly, the painting would be in the realm of recognizable things. Chance configurations and glimmers of abstraction gave way to a new superimposed image.
This fluctuation is constant. The goal is always to make the parts whole again."
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